{"id":24986,"date":"2025-04-06T15:39:43","date_gmt":"2025-04-06T13:39:43","guid":{"rendered":"https:\/\/fondazionebarbavarley.org\/laflis\/"},"modified":"2025-09-09T20:56:26","modified_gmt":"2025-09-09T18:56:26","slug":"laflis","status":"publish","type":"page","link":"https:\/\/fondazionebarbavarley.org\/en\/laflis\/","title":{"rendered":"Laflis"},"content":{"rendered":"\t\t
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LAFLIS<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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LAFLIS LIVING ARCHIVE FLOATING ISLANDS DOWNLOAD<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Floating islands - a living archive about eugenio barba, odin teatret and the third theatre<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Three simultaneous fields of cultural action to be implemented in phases<\/strong><\/p>

1. Memory as cognitive heritage<\/strong> \u2013 Archive of historical documentation on Eugenio Barba, Odin Teatret, theatre as a laboratory and barter, the International School of Theatre Anthropology\/New Generation (ISTA\/NG), the Eurasian Theatre, The Magdalena Project (network of women in theatre) and on the parallel culture of the Third Theatre (theatre groups). It also includes Eugenio Barba\u2019s personal library. Available to scholars, Students and interested people. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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2. Transmission as sharing<\/strong> \u2013 Processing and development of documents and other material in the Living Archive. It is a project of professional training and dissemination of knowledge through courses, collaborations with the itinerant centres of the Fondazione Barba Varley, other institutions and universities and sessions of the International School of Theatre Anthropology\/New Generation (ISTA\/NG). It also includes the publication of books and the \u201cJTA \u2013 Journal of Theatre Anthropology\u201d with free digital access as well as the realization of didacticl films on theatre anthropology and actor\/dancer techniques. This phase of enhancement of the historical memory implies the growth of a catalyst-environment of specialists (Living Archive) in connection with an international network of artists, scholars and younger generations of cultural activists. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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3. Transformation as a creative act<\/strong> \u2013 Metamorphosis of documents and objects from the Living Archive into an artistic visual\/auditory language. The materials kept in the Living Archive together with elements such as sets, props and costumes from Odin Teatret\u2019s performances find new life through installations and art exhibitions. With the title FLOATING ISLANDS, an interactive and participatory path in the \u201cmemory\u201d is created, enabling the visitor to experience in various ways the history, travels, techniques and artistic objectives of Eugenio Barba, the Odin Teatret actors and the groups of the Third Theatre which contributed to changing the culture of theatre after 1968. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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International conference Contemporary Perspectives. Third Theater, archives, directing. <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The utopia of the Third Theater and its future by Oliviero Ponte di Pino<\/strong><\/p>

To celebrate the 60th anniversary of Odin Teatret, the University of Lecce organized an international conference entitled Contemporary Perspectives: Third Theater, Archives, Direction, curated by Eugenio Barba, Francesco Ceraolo, Franco Perrelli, and Julia Varley, from November 4 to 7, 2024. <\/p>

On this occasion, Eugenio Barba was awarded the Ubu Prize: a documentary produced and donated by Jacopo Quadri and Davide Barletti. The conference looked back at the past, but above all to the future. <\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The past is the material and historical memory of the company and its legacy. The material memory has been preserved at LAFLIS, the archive of Eugenio Barba and Julia Varley, housed since last year at the Bernardini Library in Lecce: on the one hand, the archival collections, and on the other, a \u201cliving memory,\u201d with installations (including multimedia) and initiatives that aim to excite and emotionally engage visitors. <\/p>

There is a wealth of memories entrusted to the \u201cprofessors\u201d who have always accompanied Odin’s journey. But there is also the set of group theater practices represented in Lecce by four historic companies (in addition to Odin, the Parisian Th\u00e9\u00e2tre du Soleil, the Colombian Candelaria, and the Peruvian Yuyachkani) and by a group of younger practitioners. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The transmission of knowledge is not linear: Raimondo Guarino (Roma Tre University) speaks of \u201cknowledge to be invented\u201d and a \u201cmultiplicity of what is handed down.\u201d<\/p>

It is not a question of reproducing a profession or building a career, agrees Georges Bigot of the Th\u00e9\u00e2tre du Soleil, but rather of training courses and, above all, self-training.<\/p>

This alternative to traditional theater prioritizes collective creation. \u201cWe build performances that arise within and for the group; the themes emerge from the group,\u201d explains Julia Varley. For Miguel Rubio of Yuyachkani, collective creation \u201cis not so much a method, style, or aesthetic, but a political practice\u201d based on cycles of improvisation, reflection, and discussion. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Very often, the group leaves the theaters (or cellars) to perform in the streets, squares, markets, and churchyards: \u201cThe political situation has forced us to take to the streets: this practice changes society, but it also changes us and our way of working,\u201d says Patricia Ariza of La Candelaria.<\/p>

As Luca Vonella of Teatro a Canone notes, \u201ctheater walks on two legs: the stage and books.\u201d This is also how the memory of theater can break the irreversibility of time. <\/p>

Marco Luciano (Teatro Nucleo) recalled that the Terzo Teatro project (directed by Teatro Nucleo, Fondazione Barba Varley, and Fondazione Fo Rame) surveyed approximately 120 active groups in Italy.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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The context in which we live, the darkness into which we are sinking, tends to wear us down, corrode us, and make us all the same. The contagion witnessed by Georges Bigot can provide a clue for passing on the baton: <\/p>

\u201cI helped found groups in Cambodia, the Basque Country, Mali, and the US.\u201d<\/em><\/p><\/blockquote>

accompanied by a quote from Patricia Ariza:<\/p>

\u201cEvery show is a vision of the world, every show changes the world.\u201d<\/em><\/p><\/blockquote>

Full text HERE<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

LAFLIS LAFLIS LIVING ARCHIVE FLOATING ISLANDS DOWNLOAD Floating islands – a living archive about eugenio barba, odin teatret and the third theatre Three simultaneous fields of cultural action to be […]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-24986","page","type-page","status-publish","hentry","entry"],"acf":[],"yoast_head":"\nLaflis | Fondazione Barba Varley - ETS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fondazionebarbavarley.org\/en\/laflis\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Laflis | Fondazione Barba Varley - ETS\" \/>\n<meta property=\"og:description\" content=\"LAFLIS LAFLIS LIVING ARCHIVE FLOATING ISLANDS DOWNLOAD Floating islands – a living archive about eugenio barba, odin teatret and the third theatre Three simultaneous fields of cultural action to be […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fondazionebarbavarley.org\/en\/laflis\/\" \/>\n<meta property=\"og:site_name\" content=\"Fondazione Barba Varley - 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